Sunday, November 29, 2009
Miurika shares some gems from the CTN Expo
Eric Goldberg talks about Ken Harris
Eric Goldberg talks about the benefits of pose to pose in CG animation
Eric Goldberg talks about the benefits of pose to pose in CG animation part 2
Eric Goldberg - What's missing in CG and hand drawn reels.
Saturday, November 28, 2009
Extra workshop class Monday November 30, Room 350 9 am to noon
Tuesday, November 24, 2009
Week 12 Dailies Etiquette
Topic: Dailies Etiquette
Lecture/Demo: Addressing comments given in dailies by your instructor/animation director. Make two versions if you disagree. Being open to feedback is crucial in a production environment, so start making your professional habits now.
Activity: Dailies: critique animations in final review room
Assignment: Work on scene addressing notes from Dailies
Monday, November 23, 2009
latest
This is my latest version. I think the lips sync looks good and i have been working at offsetting and smoothing out the movements.
Wednesday, November 18, 2009
POST YOUR 'CLOSE TO FINAL ANIMATION'
Please join the 'realistic animation' class for a guest lecture, Thursday November 19th
Saturday, November 14, 2009
Wednesday, November 11, 2009
Tuesday, November 10, 2009
Week11 WIP from Ben UPDATED
Facial Cam
Reference for He
video source from internet, for study purpose
Reference for She
video source from internet, for study purpose
Monday, November 9, 2009
Weeks 10 and 11 Smoothing out the animation
Topic: Smoothing out the Animation
Lecture/Demo: Working in the graph editor to smooth out your animation. Adding breaths and eye darts.
Activity: watch making of Charlie Chaplin film 'City Lights' documentary
Homework: continue to smooth out the animation. Add eye darts and breathing to help bring the characters to life.
Tip: Did I mention using reference for your characters?!! Study the great actors. Get some of their mannerisms into your characters.
By now you should be into the final steps, getting into the finessing and polishing of the animation. You will be constantly refining, while still being open to last minute acting ideas that can make the overall piece stronger. On these refining passes work in the graph editor to smooth out the body movements. Get rid of what you don't need and try to build smooth graceful curves. Go back to the root first, as this moves everything else, and work your way up the spine checking all your curves. Do frequent passes on the eyes and eyebrows , since in the process of smoothing, the head and body poses will change.